10% Discount on Keibooks During April

If you have been planning to buy a copy of Atlas Poetica : A Journal of Poetry of Place in Contemporary Tanka (AtlasPoetica.org), or my new novel Pirates of the Narrow Seas (NarrowSeas.blogspot.com), or one of my previous titles, such as Fire Pearls : Short Masterpieces of the Human Heart or Heron Sea, Short Poems of the Chesapeake Bay, April is the month to do it!

Lulu.com, home to Keibooks, is offering a special coupon for a discount of 10% off the cover price of one purchase. Visit http://stores.Lulu.com/Keibooks and at check out, enter the code 'SHOWERS'. You may use it once during the month of April for a single purchase. Discount applies to book cover price, and does not include the cost of shipping and handling. The coupon can only be used for a single purchase, but you can buy as many books or journals as you wish in that purchase.

Happy reading!

~K~

Tanka Non-Fiction

Because some of you have asked. Here is a listing of non-fiction about tanka that I have written, with pointers on where to read it. Most of it is available free online. Abbreviations are from the 'Tanka Venues' list approved by the Tanka Society of America for use in their publications. Find it at the Research Desk of TankaCentral.com

Kei, M., '11 Good Kyoka; Experiments in English.' MET 1:1. Autumn, 2006.
—'Alternate Lineation in Tanka.' MET 2:4. Winter, 2007.
—'American Gothic Tanka.' MET 3:3. Spring, 2009.
—'The Art of the Book : The Anthologies of Giselle Maya.' MET 2:4. Winter, 2007.
—'The Autobiography of the World.' [editorial] ATPO 2, Autumn, 2008.
—Bibliography of English-Language Tanka. TankaCentral.com, 2006-2008. ; Tanka Teachers Guide. Baltimore, MD: Modern English Tanka Press, 2007.
—'Earth as Poetry.' [editorial] ATPO 1. Spring, 2008.
—'A History of Tanka Book Publishing in English.' MET 1:2. Winter, 2006; AJTS. Spring, 2007; [Revised] MET 2:4. Winter, 2007.
—'Introduction.' Jun Fujita, Tanka Pioneer. Denis M. Garrison, ed. Baltimore, MD: Modern English Tanka Press, 2007.
—'The Labyrinth of Tanka.' MET 2:3. Spring, 2008.
—'LILR Index.' LILR, 2007.
—'List of Anthologies Containing Tanka in English by Date.' Baltimore, MD: TankaCentral.com, 2007.
—'Structure and Autonomy in Tanka Sets and Sequences.' MET 2:1. Autumn, 2007.
—'Tanka and Duende.' MET 1:4. Summer, 2007.
—'Three Qiuestions (Tanka).' Blogging Along Tobacco Road. 5 April 2009.
—'Twitterati, Or Microblogging Tanka Poets.' [editorial] ATPO 4. Autumn, 2009.
—'Two and Three Line Tanka.' MET 2:4. Winter, 2007.
—'You Can't Take a Bus Up a Cliff.' [editorial] ATPO 3. Spring, 2009.


Modern English Tanka journal online: ModernEnglishTanka.com
Atlas Poetica online: AtlasPoetica.com

Reminder: Atlas Poetica

Just a reminder that Atlas Poetica is open for submissions from 1 March through 31 May this spring. We accept all kinds of tanka in traditional and innovative forms, individual tanka, tanka with prose, sets and sequences, not to mention, book reviews, articles, announcements, book notes, etc. Tanka in any language when accompanied by English translation is welcome. As always, the focus is on poetry of place: the natural and cultural places that we inhabit anywhere in the world.

Issue #1 is now on sale at lulu.com/modernenglishtanka, and features content in twelve languages from around the world. It is a large format journal, 8.5 x 11 inches, perfect bound, with a full color cover. See our home page at AtlasPoetica.com for more information.

~K~

M. Kei
Editor, Atlas Poetica

Update

A busy month. The proofreading for Atlas Poetica is done and she is going to print. We are on schedule for our March 1 debute. Buy at ModernEnglishTankaPress.com.

I have a new and special project in the works, but hush. That press release will come out later. You'll see.

Slow Motion my book of log poetry from my voyages on the Skipjack Martha Lewis last fall is coming along well. Tentative release date, April. More specifically, after I get my tax refund. Poetry doesn't pay, it costs. It will be coming out from Modern English Tanka Press.

This past week I was done with a nasty stomach bug. I was throwing up and having the runs. Throwing up is something that rarely happens to me. It means I'm very very ill. Throwing up so violently I hurt myself is a new and unpleasant development. I seem to be over the illness portion of the bug, but I'm still sore. I've missed most of work this week, which is bad. I'm a member of the working poor. Compensation is simple: if you work, you get paid. If you don't work, you don't get paid. What is this 'sick leave' people talk about?

Edwards has thrown in the towel. After reading Clinton and Obama's websites, I conclude that there's not much difference between them. A bleeding liberal like me ought to be giddy over having a woman or an African American to choose as serious contenders for president, but I don't agree with either of them about Iraq. Still, I expect I'll vote Obama as the person most likely to do me and other people with disabilities some good. Not that any of his proposed reforms will do me any personal good, but having been there before, I see very much that they need doing. Sadly, when used his website box to 'contribute your ideas to the Obama campaign', I immediately received a plea for money that showed not even a form letter response to my comments. So much for being a man of the people. Money is everything.

Will post more later when I get caught up, have time, and complete past due tasks that have been delayed by my illness.

~K~

Atlas Poetica Deadline

Atlas Poetica : A Journal of Poetry of Place in Modern English Tanka is nearing its deadline. Very little space is left. I have been pleased and impressed by the quality of the submissions and the number of international and indigenous submissions. Atlas Poetica aims to be a true 'atlas' of the tanka world, and we are well on our way to that goal.

Also noteworthy are the number of sequences submitted, some quite lengthy, as well as the use of prose with tanka. I deliberately designed Atlas Poetica with a large format to permit more flexibility in the types of poetry that could be effectively presented, and I'm pleased to see that coming to fruition.

There have been only a handful of submissions that clearly did not read the guidelines, but let me make it clear. We are a tanka journal. We are quite flexible about the tanka form and definition, but we will not publish things that bear no relationship to the tanka form. Your forty line free verse rant about the political situation in the Third World doesn't qualify. Turn it into tanka, which means also turning it into poetry and we'll consider it. Some of the poems we received addressed concerns of indigenous peoples in realistic ways, such as reporting poverty, alcohol abuse, and the effects of international adoption or natural disaster, and we welcome more poems upon these and other themes. Tanka need not be all rosy hued romanticism.

Nevertheless, we did receive many poems that present loving views of particular places and cultures, some in idealized forms and others with more realistic views of a place's merits and faults. There is a place for all such poems in the Atlas Poetica. Rant or paean, as long as they are poetry of place in the tanka form, they are welcome.

What we did not receive much of were sequences that incorporated other forms of verse with the tanka. There were no Wilsonian sequences, in which haiku alternated with tanka, no sequences with envoys or other techniques, and no tanka in alternate formation. We did get a little bit of sedoka, but since it didn't meet other requirements, it was declined. Thus the first issue appears as a very powerful endorsement of traditional English format of five phrases on five lines, but we wish to emphasize that this is an artifact of the submissions that came to us.

We encourage multiple forms, and are happy to consider cinquains and cherita (tanka derivatives) as well as other forms in combination with tanka. We are also willing to consider forms that were not derived from tanka, but which share characteristics of tanka, such as the word sonnet. Tan-renga, linked tanka, and renga are also welcome, where renga is understood to be the old style in which verses of three and two lines (total five) are written by multiple poets, with or without formal schema in the Japanese style.

The reading window for Atlas Poetica 2 will be March 1 to May 31, 2008. Please don't wait to the last minute to submit!

Atlas Poetica 1 is on schedule to be release March 1, 2008. It will be available through our publisher's web site, ModernEnglishTankaPress.com.

For more editorial information about the journal, please visit our blog at AtlasPoetica.blogspot.com.

Thank you for your support,

~K~

M. Kei

New Email Address for Atlas Poetica

Effective immediately, Atlas Poetica has a new email address for submissions .

Please use this address when submitting to the journal.

The web address remains the same

Thank you.

~K~

M. Kei
Editor, Atlas Poetica

Atlas Poetica : International Blurbs

I am pleased to report that I am receiving translations of the short blurb for Atlas Poetica : A Journal of Poetry of Place in Modern English Tanka. I have received Nederlands (Dutch), Deutsch (German), Español (Spanish), Română (Romanian), Hrvatski (Croatian), Magyar (Hungarian) and Finnish.


Nederlands     Modern English Tanka Press kondigt een nieuw tijdschrift aan. Atlas Poetica: A Journal of Poetry of Place in Modern English Tanka richt zich tot een internationaal publiek en zal twee maal per jaar verschijnen. In het formaat 8.5" x 11" zal het tijdschrift tanka's, waka's, kyoka's en varianten daarvan presenteren, evenals sets en suites. Opgenomen wordt uitsluitend poetry of place: gedichten waarin landschappen of plaatsen een rol spelen.

Het uiterlijk landschap is met het innerlijk landschap van de mens verwoven. Atlas Poetica streeft ernaar, de diversiteit van het leven in de meest uiteenlopende omgevingen te tonen en zo een poëtische atlas van de tanka-wereld te vormen. Inzendingen in andere talen zijn zeer welkom, mits vergezeld van een Engelse vertaling. Zowel traditionele als innovatieve teksten kunnen in aanmerking komen voor publicatie.

De deadline voor het eerste nummer is 1 januari 2008. Raadpleeg voor gedetailleerde informatie http://www.AtlasPoetica.com.


Deutsch     Modern English Tanka Press kündigt das Erscheinen einer neuen Zeitschrift an. Atlas Poetica: A Journal of Poetry of Place in Modern English Tanka wendet sich an eine internationale Leserschaft und wird halbjährlich erscheinen. Im Format 8.5" x 11" wird die Zeitschrift Tanka, Waka, Kyoka und deren Varianten sowie Serien und Sequenzen dieser Formen präsentieren. Aufgenommen wird ausschließlich poetry of place: Gedichte, in denen Landschaften oder Orte eine Rolle spielen.

Die äußere Umgebung ist mit der inneren Landschaft des Menschen verbunden. Atlas Poetica strebt an, die Diversität des Lebens in den unterschiedlichsten Umgebungen zu zeigen und so einen poetischen Atlas der Tanka-Welt zu gestalten. Einsendungen in anderen Sprachen sind sehr willkommen, sofern eine englische Übersetzung beiliegt. Sowohl traditionelle wie innovative Beiträge haben Aussicht auf Veröffentlichung.

Einsendeschluß für das erste Heft ist der 1. Januar 2008. Detaillierte Informationen bietet http://www.AtlasPoetica.com.


Español: Modern English Tanka [Editorial de Tanka en Inglés Moderno] tiene el placer de presentar su nuevo periodico, ATLAS POETICA: un periodico de la poesía de lugar a traves de Modern English Tanka.  La publicación de dos periodicos anualmente consistirá en una revista en formato 8.5" x 11" con tanka/waka/kyoka y sus variantes, además incluyirá sequencias y conjuntos de poemas que siguen esas formas tradiciónales japonesas.  Todos los poemas tratarán de lugar en general, de la importancía del paisaje, o del lugar cultural.

Atlas poetica está dirigido a encontrar poesía en la que hay una conneción entre el entorno externo y el interno, y que muestran la diversidad de la experiencá humana y natural.  Se puede entregar Tanka que siguen la forma tradiciónal, o que son inovadores.  Se puede presentar poemas en idiomas que no son inglés con tal de que tienen al lado una traduccíon al inglés.

La ultima fecha por entregar poemas será el 1 de enero 2008.  Para obtener más información, se puede visitar: www.AtlasPoetica.com


Română Modern English Tanka Press anunţă apariţia unei noi reviste. Atlas Poetica: A Journal of Poetry of Place in Modern English Tanka se adresează unui public internaţional şi va avea o apariţie bianuală. Cu un format de 8.5" x 11" ea va prezenta tanka, waka, kyoka şi variante ale acestora, precum şi secvenţe de astfel de forme. Vor fi acceptate exclusiv lucrări care se încadrează în conceptul de poetry of place, poezii în care peisajele sau locurile specifice să joace un rol important.

Mediul exterior este legat de peisajul interior al omului. Atlas Poetica se străduieşte să evidenţieze diversitatea vieţii şi a circumstanţelor ei, alcătuind astfel un atlas al lumii tanka. Contribuţiile în alte limbi decât engleza sunt binevenite, dacă sunt însoţite de traducere. Se acceptă atât compoziţii tradiţionale, cât şi inovatoare.

Data limită de expediere este 1 ianuarie 2008. Informaţii detaliate se găsesc pe www.AtlasPoetica.com


Hrvatski Modern English Tanka Press najavljuje prvo izdanje novoga časopisa. Atlas Poetica: A Journal of Poetry of Place in Modern English Tanka namenjen je međunarodnoj publici a izaći će dva puta godišnje. U obliku 8.5" x 11" časopis će predstaviti tanka, waka, kyoka i njihove variacije kao i serije i sekvencije ovih formi. Traži se iskljućivo poetry of place tj. pjesme u kojima predijela ili mijesta igraju posebnu ulogu.

Spojna okolina strogo je povezana unutrašnjim predijelom čovjeka. Atlas Poetica namijerava da pokazuje šarolikost života u najrazličitijim okolinama stvoreći na taj naćin pjesnićki atlas tanka-svijeta. Doprinosi koji nisu napisani na engleskom dobro su došli ukoliko imaju u prilogu prijevod.Prihvatitće se tradicijonalne kao i inovativne pjesme.

Krajni datum za slanje doprinosa je 1.sjećanj 2008. Opširnije informacije nalaze se na www.AtlasPoetica.com


Magyar Modern English Tanka Press egy új folyóirat megjelenését hirdeti meg. Atlas Poetica: A Journal of Poetry of Place in Modern English Tanka nemzetközi olvasókórhez fordul és evente kétszer fog megjelenni. A 8.5" x 11" formatumú folyóirat tanka, waka, kyoka és ezeknek változatait valamint ezen formákból álló sorozatokat, szekvenciákat akar bemutatni. Kizárólag poetry of place fogadunk el, azaz olyan verseket, amelyekben egyes látványok vagy helyiségek szerepelnek.

A külső környezet az ember benső tájához szoros kapcsolatban áll. Atlas Poetica azzal törekszik, hogy az élét sokféleségét a legkülönbózöbb kórúlmények kózótt mutasson és így mintegy tanka-világ atlaszát állitson össze.

A nem angol nyelvű verseket szivesen fogadunk el, feltéve, hogy angol forditást melleklétként küldenek. Mint hagyományos, mit újîtó munkák elfogadhatók.

Az elküldési határidő: 2008, jánuár 1. Egyéb információkat a www.AtlasPoetica.com weboldalon olvashatnak.

Suomeksi Modern English Tanka Press on tyytyväinen ilmoittaessaan uuden aikakauslehtensä, ATLAS POETICA: Aikakauslehti Paikan Runoudelle Modernissa Englantilaisessa Tankassa. Aikakauslehti tulee julkaisemaan 8.5" x 11" formaatissa tanka/waka/kyoka-runoja ja sen variantteja, sekä runojoukkoja ja runoelmia kaksi kertaa vuodessa. Kaikki runot tulevat olemaan paikan runoutta, runoja joissa maisema tai kulttuurillinen paikka on merkittävässä asemassa.

Atlas Poetica tähtää runouteen jossa sisäinen ja ulkoinen ympäristö ovat yhteydessä, ja josta on nähtävissä luonnollisen ja inhimillisen kokemuksen monimuotoisuus. Tanka sekä traditionaalisessa että innovatiivisessa muodossa ovat tervetulleita, kuten myös submissionit muilla kielillä kuin englanniksi, kunhan niiden mukana lähetetään myös englanninkielinen käännös.

Ensimmäisen julkaisun deadline on: 1. tammikuuta 2008. Lisätietoja:

Ελληνικά: Ο σύγχρονος αγγλικός Τύπος Tanka είναι ευτυχής να αναγγείλει το νέο περιοδικό του, ΑΤΛΑΝΤΑΣ POETICA: Ένα περιοδικό της ποίησης της θέσης σε σύγχρονο αγγλικό Tanka. Το περιοδικό θα δημοσιεύσει ένα 8,5' Χ 11' tanka/waka/kyoka και των παραλλαγών του, καθώς επίσης και τα σύνολα και τις ακολουθίες δύο φορές ετησίως. Όλα τα ποιήματα θα είναι ποίηση της θέσης, ποίηση στην οποία το τοπίο ή η πολιτιστική θέση διαδραματίζει έναν ρόλο.

Ο άτλαντας Poetica στοχεύει στην ποίηση στην οποία τα εξωτερικά και εσωτερικά περιβάλλοντα συνδέονται, και που παρουσιάζει την ποικιλομορφία της φυσικής και ανθρώπινης εμπειρίας. Το Tanka και με παραδοσιακές και καινοτόμες μορφές είναι ευπρόσδεκτο, όπως είναι οι υποβολές στις γλώσσες εκτός από τα αγγλικά εφ' όσον συνοδεύονται από την αγγλική μετάφραση. Η προθεσμία για το πρώτο ζήτημα είναι: την 1η Ιανουαρίου 2008. Για περισσότερες πληροφορίες,επίσκεψη:


~K~

Poetry of Place

I am a fan of poetry of place, and most of the tanka I write is poetry of place. I have always bucked the trend for 'universiality' in poetry in favor of specificacity and locality. 'Universal' is another way of saying 'generic' and it takes a rare gift to say something new and fresh. By contrast, local places, by virtue of being local, having rarely been tapped and their creative fount is still fresh and far from being exhausted. If we are all human, then we can, through the door of the poem, enter into our universal humanity and find it very different and very much the same.

From my own experience, I can relate to the experience of others. From my own experience, I can teach others. Above and beyond poetry, I apply this to daily life. I volunteer about a skipjack, one of the last vessels in North America to fish commercially under sail. I must translate the unknown into the known and in doing so create a sense of the specialness of both. Looking up at the sails, they are merely 'big,' when I tell them they are 1942 square feet of canvas, the number still doesn't register, and then I tell them, "Think about how big your own house is and then you have an idea of the size of these sails." Their eyes pop. Along with the recognition of size comes the recognition of work -- the women can usually imagine how much work it takes to clean and care for their house, and then they say, "It must be a lot of work to take care of this boat." Yes it is.

It matters, too. It is the special things that create a sense of place, and a sense of place is essential for a sense of belonging. To not belong is to be alienated and rootless, to have no investment. To belong is to feel a sense of ownership, guardianship, and care. To belong it to conserve. To be alienated is to reject. The places in which we live, work, play, and worship are not permanent and infinite, but limited, fragile, and perishable. They require care. People who don't care don't take care of them. 'Places' then are the places that we value.

If we are wise, we see the value in all places and revel in their uniqueness and seek to preserve it and develop it. If we aren't wise, we see only our own selfish gratification -- the perfect green lawn, and not the algae blooms in the water caused by the fertilizer runoff from our property. Altruism is not an option but a necessity. It may be altruistic to change our habits to improve our environment and support our communities -- but it shouldn't be. It should be normal. It is enlightenment self-preservation to make certain that the place in which we live will continue to be a viable place while we live there and while our children live there afterwards.

Poetry of place is a regional art. Like the local folk arts and customs, it grows out of a keen appreciation for the past but is not nostalgia. Nostalgia is looking back and lamenting what is lost, dreaming about an imaginary past in which the cares of the world were escaped. Regionalism is not nostalgic but futuristic. It takes the customs of the past and projects them into the future, recognizes the potential for loss, and realizes the value of the past in mitigating the evils of rootlessness, abandonment, and decay. Poetry is the nutrition that keeps the heart rooted, engaged, and fertile.

There has been a rising interest in poetry of place concurrent with a rising awareness and appreciation by city planners, politicians, and concerned citizens who realize that a sense of place is a powerful antidote to the ills of modern society. Some developers are now seeking to identify and preserve that which is unique and valued, to protect and enhance such local uniqueness and value, and to contribute something of their own that truly 'develops' the locality instead of merely exploiting it. Unfortunately, there are not yet many examples of this, and while any step in this direction is to be appreciated, purely cosmetic steps are not enough.

There has been a similar direction in modern American poetry. Not surprisingly, since poetry reflects the lives of the people who write it, American poetry has become as rootless and alien as the malls and McMansions that blight the American landscape. Once upon a time poetry was something that all people shared and enjoyed, now it is the province of ivory tower academics or alienated young people screaming out profanity laden rap lyrics. While each sort of poetry is an authentic expression of the people who write it and the places in which they live, it does not speak to or for the average person. The average person no longer sees poetry as relevant and if very likely to cringe in dread when they discover someone they know is poet, justly fearing that the amateur is going to want to inflict bad verse upon them.

Yet rap is a sort of poetry of place: it directly and powerfully expresses urban poverty and the human customs and experiences in that environment. My students value it precisely because they believe it tells the truth about their lives -- and that is the duty of poetry: to tell us the truth we know about ourselves. If rap music is frightening to the average person, so is the environment in which it was born, where young men are more likely to die of murder than any other cause. Rappers have discovered the power of poetry: to speak in the ordinary idiom of the people from which they come and use it to name the joy and despair of their people. It is not an accident that rappers speak of 'the hood' and 'my people' against all others; they do not merely live in their neighborhood, but dwell in it, and that place is as deep in them as they are in it. For those who deplore rap, ask another question... what would those places be like without it? What silent despair would rule where now there is vibrant, embattled life? To be without poetry is to abide in the graveyard of the heart, silent as tombstones, our epitaphs our only communication.

The average American has gone so long without poetry that they don't know they're missing it. Sadly, when it is practiced, it is dumbed down. Children are taught that poetry is self-expression and that anything they want to write in stanza form is poetry. No. Poetry is NOT self-expression, it is literature, and there are standards that apply. While any topic and treatment is acceptable in poetry, that does not mean that all acts of expression are equally artistic. If it is pure self-expression, it is a journal entry and ought not be inflicted on others. No, in order to be poetry, it must speak 'to' something, as well as 'about' something. While the self has long been a topic for poets, it cannot be the only topic. Purely self-centered poetry is a kind of sophistry, the ultimate in alienation, and thus, the very opposite of what poetry truly is.

Poetry is nothing more or less than the manifestation of a spirit in the material world. So are all the arts. To worship the madness of creativity is to divorce ourselves from the spirit, building a great wall between ourselves and spirituality, a wall which can only be pierced by an act of self- mutilation, for the wall exists within ourselves and nowhere else. How much better to never build the wall to begin with! Let us tear down the false idea that a poet is something outside of the ordinary and that poetry is set apart from real life, and instead open our seven senses to fully experience our own lives. Then, if we choose, we can undertake the apprenticeship of words necessary to write it down.

~K~

Atlas Poetica : Call for Submissions

Call for Submissions — August 4, 2007

ATLAS POETICA:
A Journal of Poetry of Place in Modern English Tanka

Issue 1, 2008


Modern English Tanka Press is pleased to announce its new journal, ATLAS POETICA: A Journal of Poetry of Place in Modern English Tanka. In light of the overwhelming response of poets to the anthology, Landfall: Poetry of Place in Modern English Tanka (due out later this year), Modern English Tanka Press has decided to publish a biannual journal devoted exclusively to the subject of poetry of place in modern English tanka. To be printed in an 8.5" x 11" format, the new journal will publish single tanka/waka/kyoka and its variants, as well as sets and sequences. The first issue is scheduled to come out in the Spring of 2008. The deadline for submissions is 1 January 2008 for the premiere issue, Atlas Poetica 1.

Atlas Poetica will be edited by M. Kei, who edited the anthology, Fire Pearls: Short Masterpieces of the Human Heart, and will showcase previously unpublished tanka in English and English translation from around the world. The Atlas welcomes individual tanka and sets and sequences that are deeply steeped in the human and natural landscape, reflecting the particularities of life as it is lived in all its splendid interconnections. Atlas Poetica believes that diversity, locality, tradition, innovation, and a keen sense of the awareness of the web that binds the internal and external environments together is the essence from which poetry springs. It is by connecting with this place, this moment, and these experiences of life that we achieve deep insight and appreciation for ourselves, our neighbors, and our world. “Sense of place is not just something that people know and feel, it is something people do.”—Albert Camus

Before submitting poetry, please carefully read the complete guidelines which are available at www.atlaspoetica/submit.html along with information regarding rights sought, schedules, deadlines, and more. Submissions and inquiries may be sent to the editor at: submissions (at) AtlasPoetica (dot) com.

For further information contact:
M. Kei, Editor, Atlas Poetica
AtlasPoetica (at) gmail (dot) com
or visit: AtlasPoetica.com

Please share widely and forward to all appropriate forums.

M. Kei
Editor, Atlas Poetica: A Journal of Poetry of Place in Modern English Tanka
AtlasPoetica.com

Denis M. Garrison
Publisher
ModernEnglishTankaPress.com