Trying to blog more of my Twitter poetry, that most ephemeral of literatures.
they can't stand
the silence,
they want
hearts that ring
like bells
what fractions
of a heart were carried,
counted, divided,
summed, until the whole
was zero?
go out in the sun,
a burrowing creature
all winter,
heart cracked open
by beams of light
there was never
a muddy spring that
ran clear,
and this heart
is no exception
burning rubber
across your asphalt heart—
skid marks
lead to the wreck
you've made of me
a harem of books—
he loves each of them
even though he
hasn't spent the night
with them in years
another candle lit
at his grave,
chokecherry trees
bloom as white
as ghosts
i gather them,
the green pine candles,
white chokecherry tapers,
and wild wisteria
for a funeral bouquet
once there were so many
grasses swaying in the sea,
beckoning to traders
who never thought
their pleasures would end
his heart
is a skeleton key
that unlocks doors
that should never
be opened
in retrospect,
it would have been wiser
if we had skipped the sex
and gone straight
to the tearful breakup
my handsome son,
posed so that
his scarred arm
doesn’t show
in the family photograph
I was not lonely
with the snow-capped heron
as my company;
but when my lover returned
the silence was desolate
I am too old and slow
to keep pace with the whirlwind
the world has become.
Mansei's boat rowed away
without a trace this morning.
the police officer
questions the autistic child
and receives back
scribbles that mean nothing
in this world of ours
when the rain pelts down
fair weather fishermen leave
the old wooden dock;
an old black man dons his hat
and stays a little longer
he writes poetry
for her birthday,
but fearing
it won't be enough,
he adds a scented candle
full well do I know
that this transient pleasure
is like foam on the sea;
yet even so I want it
to last a thousand years
Langston Hughes
was a sailor
and a lover of men.
I thought I'd see more of that
in his verses
'snake gardens'
the country folk
call them,
full of weeds and
rusting tractors
send a man
shopping for clothes, and
he comes home
with a pair of socks
and nothing more
Pearl Harbor Day . . .
The Japanese-American student
stares at the enemy
who looks like
his father
on the hearth,
the pop, hiss, and crackle
of green wood;
he dreams as he dozes,
the aging housecat
Thursday, May 12, 2011
Friday, April 15, 2011
More Twitter Tanka
Twitter is so ephemeral, I am trying to unearth poems that have only appeared on Twitter and put them on my blog so that they will be easier to find and can be more readily seen.
night watch
at three am
the drunks asleep
but the fishboats
heading out
topmen
aloft in a gale
shoulders aching
as they battle
the mainsail
a whale
named "Salt"
swimming circles
and slapping the sea
with her tail
Stellwagon Bank, off Cape Cod
the bluest skies
and a fair wind blowing
no sign
of the hurricane
beyond the horizon
two days later
drinking
the sodas
the passengers
didn't want
doldrums—
the roll gauge
as still
and motionless
as the crew
Buzzard Bay
clouds
slowly building
on an August afternoon
before the hurricane
the ship murmurs
to water, wind,
and sky,
prayers full of spume
for a safe anchorage
storm watch
midnight rain
and the roar
of wind
through the rigging
the witching hour
but the ship
in a safe harbor
not even a black cat
on this black night
glad
to cancel
Martha’s Vineyard
and take refuge
in a fishermen’s town
season’s end
I’ve had enough
of tourists
I long for the cold work
of oystering
midnight
during a tropical storm,
but still traffic,
lights, and noise
in a sleepless city
security lights
gleaming on
the herring hopper:
my view for
most of the night
the cruise ship
with her passengers
dwarfs us—
and so do
their wallets
the lullaby
of rain on hatches
rolling off
the quarterdeck
all night long
her spars
across the river
slim and wooden,
all day we ask passing boats,
“Who is that ship?”
fairy lights
tiny sea creatures
glowing
in the dark
beneath the pier
Martha’s Vineyard—
the green scruff
of hills
dotted with
enormous houses
the soft roar
of the sibilant sea—
a sea turtle
raises his head
to look at us
predisposed
not to like
Martha’s Vineyard,
then the old lighthouse
illuminates history
heading into port,
a shimmer
of salt scales
dried
on the windward rail
sunset fading
a constellation of
airplane lights
appears
over Manhattan
listening to
some other boat’s
man overboard
on the radio,
a quick head count here
city dwellers
never look up from
their televisions
as a tall ship
ghosts by at night
ten million people
in New York City
never saw us
as we passed by
one evening
temporary
migrating bird
support ship—
two warblers and a kestrel
take refuge in our rigging
night watch
at three am
the drunks asleep
but the fishboats
heading out
topmen
aloft in a gale
shoulders aching
as they battle
the mainsail
a whale
named "Salt"
swimming circles
and slapping the sea
with her tail
Stellwagon Bank, off Cape Cod
the bluest skies
and a fair wind blowing
no sign
of the hurricane
beyond the horizon
two days later
drinking
the sodas
the passengers
didn't want
doldrums—
the roll gauge
as still
and motionless
as the crew
Buzzard Bay
clouds
slowly building
on an August afternoon
before the hurricane
the ship murmurs
to water, wind,
and sky,
prayers full of spume
for a safe anchorage
storm watch
midnight rain
and the roar
of wind
through the rigging
the witching hour
but the ship
in a safe harbor
not even a black cat
on this black night
glad
to cancel
Martha’s Vineyard
and take refuge
in a fishermen’s town
season’s end
I’ve had enough
of tourists
I long for the cold work
of oystering
midnight
during a tropical storm,
but still traffic,
lights, and noise
in a sleepless city
security lights
gleaming on
the herring hopper:
my view for
most of the night
the cruise ship
with her passengers
dwarfs us—
and so do
their wallets
the lullaby
of rain on hatches
rolling off
the quarterdeck
all night long
her spars
across the river
slim and wooden,
all day we ask passing boats,
“Who is that ship?”
fairy lights
tiny sea creatures
glowing
in the dark
beneath the pier
Martha’s Vineyard—
the green scruff
of hills
dotted with
enormous houses
the soft roar
of the sibilant sea—
a sea turtle
raises his head
to look at us
predisposed
not to like
Martha’s Vineyard,
then the old lighthouse
illuminates history
heading into port,
a shimmer
of salt scales
dried
on the windward rail
sunset fading
a constellation of
airplane lights
appears
over Manhattan
listening to
some other boat’s
man overboard
on the radio,
a quick head count here
city dwellers
never look up from
their televisions
as a tall ship
ghosts by at night
ten million people
in New York City
never saw us
as we passed by
one evening
temporary
migrating bird
support ship—
two warblers and a kestrel
take refuge in our rigging
Sunday, April 03, 2011
Twitter Tanka
The following tanka have been published on Twitter, but nowhere else. I thought I ought to gather them up and put them some place easier to find.
move over, Shiki,
there’s more than
a wisteria branch
to be seen from
this invalid’s bed
nothing certain
but death and taxes,
today,
I suffer from
a little of each
I look like Frankenstein:
I’m green,
and I have stitches
in each temple
where they took the biopsies
ah, Melville,
what’s Moby Dick to me
when I can
conquer the world
from the comfort of my desk?
the clock
above my desk
talks to me
when everyone else
is asleep tonight
aluminum extrusion—
that’s my cousin’s business
down in Georgia,
vague recollections that
once they owned slaves
“archaeopteryx”
some words
are harder
to open than
dictionaries
the ghosts of winter
drifting aimlessly
amid the green and yellow
blinking lights
of the holiday
tall ships
in a shallow fog
stars
trapped in
the bowl of heaven
another chill evening—
finding love poems
I wrote
last winter to
a married man
everything ends
at the beginning of winter—
mother, nephew, lover
nothing but
grief remains
the cat always returns
is it any wonder
I give my love
to a rover
in the night?
things that come
with the fog:
horseshoe crabs,
tall ships,
and wandering hearts
mending
the ensign again
tailor-legged
on the hatch
as the sun sets
the minor key
of an old song
as sailors
keep watch
in the dusk
that cool breeze
is a harbinger
of storms to come:
Earl, Fiona, Gaston
crossing the Atlantic
a tarnished sun
in a glistening sea
a wooden ship
makes her way
towards shelter
a forest
of fishboats
rafted
side by side
in the hurricane hole
tied up
at the State Pier,
I can watch the city
as if it were
a million miles away
sitting in the pew
where Melville sat,
with a hurricane
bearing down on me,
I contemplate the cenotaphs
move over, Shiki,
there’s more than
a wisteria branch
to be seen from
this invalid’s bed
nothing certain
but death and taxes,
today,
I suffer from
a little of each
I look like Frankenstein:
I’m green,
and I have stitches
in each temple
where they took the biopsies
ah, Melville,
what’s Moby Dick to me
when I can
conquer the world
from the comfort of my desk?
the clock
above my desk
talks to me
when everyone else
is asleep tonight
aluminum extrusion—
that’s my cousin’s business
down in Georgia,
vague recollections that
once they owned slaves
“archaeopteryx”
some words
are harder
to open than
dictionaries
the ghosts of winter
drifting aimlessly
amid the green and yellow
blinking lights
of the holiday
tall ships
in a shallow fog
stars
trapped in
the bowl of heaven
another chill evening—
finding love poems
I wrote
last winter to
a married man
everything ends
at the beginning of winter—
mother, nephew, lover
nothing but
grief remains
the cat always returns
is it any wonder
I give my love
to a rover
in the night?
things that come
with the fog:
horseshoe crabs,
tall ships,
and wandering hearts
mending
the ensign again
tailor-legged
on the hatch
as the sun sets
the minor key
of an old song
as sailors
keep watch
in the dusk
that cool breeze
is a harbinger
of storms to come:
Earl, Fiona, Gaston
crossing the Atlantic
a tarnished sun
in a glistening sea
a wooden ship
makes her way
towards shelter
a forest
of fishboats
rafted
side by side
in the hurricane hole
tied up
at the State Pier,
I can watch the city
as if it were
a million miles away
sitting in the pew
where Melville sat,
with a hurricane
bearing down on me,
I contemplate the cenotaphs
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